Lógicas, Burt Lancaster, Valdez Is Coming (1971).

Demasiados, y durante demasiado tiempo, han estado obsesionados con la Lógica del Marketing a lo Duran Barbas.

Alfonsín en 1983; Fernández Meijide, Chacho Álvarez y de la Rua en 1999; hoy con Mancuso, M&M y cia.

Pero no funciono en tiempos de Crisis aguda; Menem vs. Cafiero y Angeloz en 1989; Bordón y Massaccesi en 1995; Carrio, López Murphy vs. ¿Kissinger o era Kerensky? en 2003; la Pitonisa 2.0 y el Pálido vs. Cristina, Cobos y vos en 2007.

Se omite que en USA, además de la Burocracias Federales y Estatales, existen los Aparatos Republicanos y Demócratas.

Ídem en la Gran Bretaña de Conservadores y Laboristas; la España de Populares y PSOE; la Alemania de CDU, PSD y Liberales; la Francia de la Vª Republica con sus dos Coaliciones obligadas por el diseño electoral.

En la Argentina no tenemos ni Estado ni Sistema Político; solo minutos de pantalla y centimil de grafica, y el terror por la Intemperie de Tomas Abraham.

Lo mismo sucede cuando entran en conflicto la lógica partidocratica parlamentarista vs. la lógica sindical reivindicativa.

Puedo explicarlo con un tratado de 500 paginas y 2800 citas eruditas; lo que seria perder mi tiempo y abusar de la paciencia de los lectores.

O, realizar una aproximación de 90 minutos, con un western clásico.

“Segundo, an unflinching pragmatist capable of killing without batting an eye, but still no stranger to honor, is torn between keeping a straight face as Tanner wades in deeper and deeper and hunting down Valdez, who is methodically taking out Segundo's best men as the pursuit progresses.

The relationship between Segundo and Tanner is one of the film's most interesting aspects.

While not rendered in great detail, it is still a good study in the nature of power.

……………

Nonetheless, there is something rather pulpy about the way that Lancaster turns from put-upon minor lawman to brilliantly competent guerrilla fighter, shooting a man from a 1,000 yards, easily picking off the numerous armed riders sent after him, and sneaking into the heart of the enemy camp without anyone noticing.

It's particularly noticeable partly because of the understated, resigned quality that characterises his performance in the initial stages of the film: moving slowly and speaking carefully, almost deferentially, Valdez is a character not exactly resigned to his lot (which is being treated with open or concealed contempt by his white neighbours) but understandably cautious about being too outspoken.

…………..

One hundred dollars!”